๐—ช๐—ต๐˜† ๐—–๐—ผ๐—ฝ๐˜†๐—ถ๐—ป๐—ด ๐—ฎ ๐—ฆ๐˜‚๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€๐—ณ๐˜‚๐—น ๐—ฆ๐—ฎ๐—น๐—ฒ๐˜€ ๐—Ÿ๐—ฒ๐˜๐˜๐—ฒ๐—ฟ ๐—–๐—ฎ๐—ป ๐—•๐—ฒ ๐—ฎ ๐—ง๐—ฒ๐—ฟ๐—ฟ๐—ถ๐—ฏ๐—น๐—ฒ ๐—œ๐—ฑ๐—ฒ๐—ฎ

In 1998, director Gus Van Sant tried an unusual Hollywood experiment.

He remade Alfred Hitchcock’s Psycho almost shot for shot.

Same story. Same dialogue. Nearly identical camera angles.

Hitchcock’s 1960 original was a masterpiece. Surely reproducing its winning formula would produce another hit?

It didn’t.

The remake received terrible reviews and failed to approach the original’s cultural impact.

Here’s what copywriters can learn from this expensive experiment.

๐—ฌ๐—ผ๐˜‚ ๐—ฐ๐—ฎ๐—ป ๐—ฐ๐—ผ๐—ฝ๐˜† ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†๐˜๐—ต๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฎ๐˜ ๐—บ๐—ฎ๐—ฑ๐—ฒ ๐˜€๐—ผ๐—บ๐—ฒ๐˜๐—ต๐—ถ๐—ป๐—ด ๐˜€๐˜‚๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€๐—ณ๐˜‚๐—น ๐˜„๐—ถ๐˜๐—ต๐—ผ๐˜‚๐˜ ๐—ฐ๐—ผ๐—ฝ๐˜†๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—ฐ๐—ผ๐—ป๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐˜๐—ต๐—ฎ๐˜ ๐—บ๐—ฎ๐—ฑ๐—ฒ ๐—ถ๐˜ ๐˜€๐˜‚๐—ฐ๐—ฐ๐—ฒ๐˜€๐˜€๐—ณ๐˜‚๐—น.

When Psycho appeared in 1960, audiences weren’t expecting its shocking twists. Hitchcock violated storytelling conventions and caught viewers completely off guard.

By 1998, those surprises were famous.

The scenes were essentially the same. The audience wasn’t.

Copywriters make the same mistake when they swipe legendary sales letters.

They borrow the headline, imitate the opening story, reproduce the argument, and copy the offer structure.

But they overlook something crucial.

๐—ง๐—ต๐—ฒ ๐—ผ๐—ฟ๐—ถ๐—ด๐—ถ๐—ป๐—ฎ๐—น ๐—ฝ๐—ฟ๐—ผ๐—บ๐—ผ๐˜๐—ถ๐—ผ๐—ป ๐˜„๐—ฎ๐˜€ ๐˜„๐—ฟ๐—ถ๐˜๐˜๐—ฒ๐—ป ๐—ณ๐—ผ๐—ฟ ๐—ฎ ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐˜‚๐—น๐—ฎ๐—ฟ ๐—ฎ๐˜‚๐—ฑ๐—ถ๐—ฒ๐—ป๐—ฐ๐—ฒ, ๐˜„๐—ถ๐˜๐—ต ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐˜‚๐—น๐—ฎ๐—ฟ ๐—ฏ๐—ฒ๐—น๐—ถ๐—ฒ๐—ณ๐˜€, ๐—ฒ๐—ป๐—ฐ๐—ผ๐˜‚๐—ป๐˜๐—ฒ๐—ฟ๐—ถ๐—ป๐—ด ๐—ฎ ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐˜‚๐—น๐—ฎ๐—ฟ ๐—ฝ๐—ฟ๐—ผ๐—บ๐—ถ๐˜€๐—ฒ ๐—ฎ๐˜ ๐—ฎ ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐˜‚๐—น๐—ฎ๐—ฟ ๐˜๐—ถ๐—บ๐—ฒ.

Maybe the headline introduced an idea nobody had heard before.

Maybe the offer challenged a widely accepted belief.

Maybe the competition was almost nonexistent.

Change those conditions, and the same words can produce very different results.

The lesson?

When studying a successful sales letter, don’t simply ask, “What did the copywriter write?”

Ask, “๐˜ž๐˜ฉ๐˜บ did this work on those readers at that time?”

Dig and copy the underlying persuasion. Not just the words.

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Richard's avatar

By Richard

Richard is a copywriter and direct response specialist.