Positioning Is an Exercise in Selective Destruction

The first time I heard Neil Young’s Archives Volume One on Blu-ray, I expected nothing more than background music. I had heard “After The Gold Rush” a hundred times. But when the high-fidelity audio kicked in, my head jerked up. It sounded as if Neil were in the room, sitting at the piano, singing directly to me. This was the first time I HEARD it.

Most online music uses “lossy” compression. To make files small enough to stream, we throw away up to 90% of the data. We assume the discarded information is inaudible, but we are often wrong. We lose the texture, the depth, and the nuance.

Your positioning statement faces the same physics.

You cannot fit your entire business into a headline. You cannot fit your history, your team, your process, and your mission into a single sentence. Compression is unavoidable. Every word you cut is data thrown into the trash.

If you compress poorly, you end up with “Strategic marketing solutions.” It is a file with zero texture. It is noise that tells the listener nothing.

If you compress well, you preserve the signal. You discard the fluff but keep the one distinction that makes a buyer care.

Bad Compression:

“We interview customers, analyze category language, review competitor claims, refine your offer, build messaging architecture, and write conversion copy.”

Useful Compression:

“Find the sales argument your competitors missed.”

When you write your positioning, do not ask, “How can I say everything?” Ask, “What is the one piece of data that, if lost, makes the whole message useless?”

Decide what must survive the loss.

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Richard's avatar

By Richard

Richard is a copywriter and direct response specialist.