๐—›๐—ผ๐˜„ ๐˜๐—ผ ๐—•๐—ฒ๐—ฐ๐—ผ๐—บ๐—ฒ ๐—ฎ ๐—Ÿ๐—ถ๐˜๐—ฒ๐—ฟ๐—ฎ๐—ฟ๐˜† ๐—ฆ๐—ป๐—ผ๐—ฏ ๐—ถ๐—ป ๐—ง๐—ต๐—ฟ๐—ฒ๐—ฒ ๐—˜๐—ฎ๐˜€๐˜† ๐—ฆ๐˜๐—ฒ๐—ฝ๐˜€

I’m a literary snob. No apologies. Once you’ve read the best, it’s hard to come down.

If you’d asked me to name my favorite authors 30 years ago, the list would look much the same today. I’m not sure what that says about me. Or the current state of literature.

But there’s a method behind my reading habits that I only recently recognized.

I never wanted to go through life without reading ๐˜ž๐˜ข๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜—๐˜ฆ๐˜ข๐˜ค๐˜ฆ or ๐˜”๐˜ฐ๐˜ฃ๐˜บ ๐˜‹๐˜ช๐˜ค๐˜ฌ. There are only so many books you can read in a lifetime, and I figured I might as well aim high.

Here’s how I approached French literature.

First, I asked who belonged among the greatest French novelists.

Flaubert came up quickly.

Next question: What’s his masterpiece?

๐˜”๐˜ข๐˜ฅ๐˜ข๐˜ฎ๐˜ฆ ๐˜‰๐˜ฐ๐˜ท๐˜ข๐˜ณ๐˜บ.

I read it. Loved it. Then went looking for more Flaubert: ๐˜š๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ญ ๐˜Œ๐˜ฅ๐˜ถ๐˜ค๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ, ๐˜š๐˜ข๐˜ญ๐˜ข๐˜ฎ๐˜ฎ๐˜ฃรด, his short stories.

๐—ง๐—ต๐—ฟ๐—ฒ๐—ฒ ๐˜€๐˜๐—ฒ๐—ฝ๐˜€: find a master, read a masterpiece, follow your curiosity.

Without realizing it, I’d developed a rough version of the 80/20 principle for educating myself.

The same approach works with music, painting, film, philosophy, or virtually anything else you want to explore.

Start at the top. Get a taste of what the field can accomplish. Then work your way outward.

And here’s the important part: ๐˜ฎ๐˜ข๐˜ฌ๐˜ฆ ๐˜ถ๐˜ฑ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ.

I’ve encountered famous authors who left me cold or indifferent. Their reputations didn’t obligate me to admire them.

You’ll never read everything. Nobody will.

But you ๐˜ค๐˜ข๐˜ฏ read/experience some of the best. These are authors that I keep coming back to, decade after decade and still find more.

๐—™๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ต
โ€ข Gustave Flaubert
โ€ข Marcel Proust
โ€ข Alain Robbe-Grillet
โ€ข Guy de Maupassant
โ€ข Alexandre Dumas
โ€ข Victor Hugo

๐—ฅ๐˜‚๐˜€๐˜€๐—ถ๐—ฎ๐—ป
โ€ข Leo Tolstoy
โ€ข Nikolai Gogol
โ€ข Anton Chekhov
โ€ข Alexander Pushkin
โ€ข Ivan Turgenev

๐—˜๐˜‚๐—ฟ๐—ผ๐—ฝ๐—ฒ๐—ฎ๐—ป
โ€ข William Shakespeare
โ€ข Charles Dickens
โ€ข James Joyce
โ€ข H.G. Wells
โ€ข Oscar Wilde
โ€ข Lewis Carroll
โ€ข Arthur Conan Doyle
โ€ข Mervyn Peake

๐—”๐—บ๐—ฒ๐—ฟ๐—ถ๐—ฐ๐—ฎ๐—ป
โ€ข Vladimir Nabokov (he did have US citizenship)
โ€ข Truman Capote
โ€ข Philip K. Dick
โ€ข Herman Melville
โ€ข H.P. Lovecraft
โ€ข Ernest Hemingway
โ€ข Richard Matheson
โ€ข Charles Beaumont
โ€ข J.D. Salinger
โ€ข William S. Burroughs
โ€ข Harlan Ellison

๐—จ๐—ป๐—ฐ๐—ฎ๐˜๐—ฒ๐—ด๐—ผ๐—ฟ๐—ถ๐˜‡๐—ฒ๐—ฑ / ๐—–๐—น๐—ฎ๐˜€๐˜€๐—ถ๐—ฐ๐˜€
โ€ข Homer
โ€ข Virgil
โ€ข Dante Alighieri
โ€ข Franz Kafka

Richard's avatar

By Richard

Richard is a copywriter and direct response specialist.